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Schiller Institute NYC Chorus Memorializes LaRouche in Bronx Concert

On Sunday May 5th, the Schiller Institute NYC Chorus performed the Mozart Solemn Vespers, African-American Spirituals, and Verdi at a concert dedicated to the memory of Lyndon LaRouche in Little Italy of the Bronx. The chorus was joined by five professional soloists and orchestra, and everything, except the Bach organ prelude was performed at the Verdi tuning of c=256 Hz.

250-300 people turned out in the pouring rain to hear this wonderful program, which opened with the church organist playing a Bach organ prelude, and ended with Italian Opera arias sung by the soloists. Although there were several young children in the crowd, there was not a sound, except applause, which erupted after the first amen in the Vespers. One person commented that the Vespers was performed in such a transparent way that the genius of Mozart leapt out at him—the orchestra playing counterpoint to the chorus, as another voice, and not a unison.

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Having everyone’s best loved Italian Opera arias sung by African-American, Chinese, and Greek soloists definitely demonstrated the universal quality of great music, and thrilled the Italian-Americans in the audience, and several were heard to be singing along by the end.

Also in attendance was the Ambassador from Sri Lanka to the UN, who was recognized by the priest and by Dennis Speed in his welcoming remarks, who expressed a dedication to the memory of those who had perished in the Easter massacres in Sri Lanka, killing over 300 people, including children in Sunday School. In dedicating the concert to Lyndon LaRouche, Dennis quoted from LaRouche’s review of the Mozart opera La Clemenza di Tito, and spoke of Lyndon’s critical insights and support for the choral process in Manhattan.

“All Classical art speaks directly to you, as an individual personality; it addresses the question each of us must ask ourselves at some point in our lives, or perhaps even repeatedly,
‘Who am I, and what are we? Since we are all born, and shall die, what is the meaning of that individual existence we occupy between birth and death? What is the continuation of that life, even after we are dead?’ Thus, great Classical art touches the same issues as Christianity and the themes of Judaism treated by the great Moses Mendelssohn.

“So, Mozart speaks to you personally, through La Clemenza di Tito, from the operatic stage. “Mozart does not preach; he evokes the experience of the discovery of the principle of agapë within the cognitive experience of the individual member of the audience, by means of the unfolding, ironical development within the drama as a whole. In the history of Christianity, for example, it has been the similar re-experiencing of the Passion of Christ from Gethsemane through and beyond the Crucifixion, which has been the artistic quality of reliving that impassioned experience upon which the strength of Christianity has depended. There is perhaps no more conclusive demonstration of that, than is supplied by J.S. Bach’s
St. Matthew Passion.

“…At the time of his death, and earlier, Mozart was essentially a leading Christian of his time, as his Ave Verum Corpus expresses this principle of Classical artistic composition with wonderful succinctness.” 

Lyndon LaRouche

The chorus, now in its 5th year, has 80 members from Brooklyn, Queens, Manhattan and northern NJ, and the singers range in age from 27 to 89, and include college students, young professionals and retired people, a Chinese concert pianist, and a Bishop from a Church in Harlem, who also speaks German. They have all developed over the years, to the point that new members often flee, intimidated by the quality of the Manhattan rehearsal, and we have to call them back and assure them that many of the people they think sound so good, also couldn’t read music when they joined. (And many still can’t.)

The audience was largely from the neighborhood of the church, which is a very well-known Italian area, and has Italian shops, restaurants and bakeries which have been in the same families for over a century, in several cases. Italian-Americans from all over Westchester County, NJ and Connecticut come here to get their favorite Italian foods. These shop owners have been regular patrons of the chorus, buying ads in our programs for the last 3 years, and always asking us, “When are you going to hold a concert in the Bronx???” They were thrilled that we finally were at their church, Our Lady of Mount Carmel.

The associate priest, who is from Ghana, loved every minute of the concert and asked us to come back. When we said, “Yes, maybe next year.” He said, “I wish you could be here every day!”

Video coming soon!

To find out more about the NYC Schiller Institute Chorus, visit sinycchorus.com.


At the Dawn of a Musical Revolution:

Mozart’s Solemn Vespers

The following was written by Schiller Institute music director, John Sigerson, who conducted the May 5 performance in New York City.

By the time he composed the Vesperae solennes de confessore in 1780, the 24-year-old Wolfgang Amadeus Mozart was already a vastly accomplished composer who had produced 14 masses and hundreds of other works. Yet in this work, a setting of one of the most ancient offices of the Catholic Church, we experience vigorous new buds of a musical and scientific revolution—a revolution that today is making it possible to raise all humanity “out of the dust, and lift the needy out of the dunghill” (Psalm 113, “Laudate pueri”).

For today, we can celebrate the fact that the nation of Italy, cradle of the high Florentine Renaissance and of the Church, has reached out to officially join with history’s greatest movement to eliminate poverty worldwide, China’s “New Silk Road” or “Belt and Road” initiative, a policy grounded in Confucian principles which resonate with those of the best of the Western Christian humanist tradition.

“But wait a minute!” you might be saying to yourself. “How could a revolution in music possibly launch an economic plan to eliminate poverty worldwide?” The answer is both simple and complex: We are all human, and unlike other animals and inanimate things, our ability to make breakthroughs in our spiritual grasp of universal principles governing the created universe, enables us physically to devise new technologies, and also new forms of culture, to harness those principles for the betterment of all mankind. Every truly great physical scientist, from Nicholas of Cusa and Kepler to Einstein and Vernadsky, every great physical economist from Gottfried Leibniz and Alexander Hamilton to Lyndon LaRouche, and every great Classical composer from J.S. Bach to Mozart, Beethoven, and Brahms, well knew that connection.

The nature of what is best termed the Mozart-Haydn Revolution in Music, in fact occurred about two years after Mozart composed the Vespers, i.e. in 1781-82, when Mozart, who had just moved his family to Vienna, participated in discussions with Josef Haydn and others at the salon of Baron van Swieten, who from Berlin had brought back manuscripts of the virtually suppressed works of Johann Sebastian Bach. For both Mozart and Haydn, the explosive impact of Bach’s works such as The Musical Offering and The Art of the Fugue unleashed “a new way of composing” (in Haydn’s words), based not on melodic forms, but rather on more fundamental elements underlying those forms. This new method has been described by Norbert Brainin, the late first violinist of the legendary Amadeus Quartet, as Motivführung, or motivic thorough-composition; it frees all the voices in a composition to generate new forms in such a way, that it is not the sounds of the music—however pleasant they may be—but rather the underlying, soundless musical/poetic ideas which govern the development.

Returning to Mozart’s 1780 Vespers, in hindsight we see here the buds that bore that rich fruit, in relation both to J.S. Bach, but also to Mozart’s older friend Josef Haydn.

Take, for example, the second piece in the series, “Confitebor,” a setting of Psalm 111. Anyone who has heard J.S. Bach’s famous cantata “Wachet auf, ruft uns die Stimme” will immediately hear this echoed in the opening bars of the “Confitebor,” which also happens to be in the same key of E-flat Major. Had Mozart seen or heard that cantata? Probably not in performance. The original Lutheran hymn with that melody was first published in 1599 by Philipp Nicolai, and stood in many Lutheran hymnals. But more likely, is that it was suggested to Mozart directly, via a member of Bach’s large family which extended throughout Europe.

Consider this: In April 1778, J.S. Bach’s fourth son, Johann Christoph Friedrich Bach, traveled along with his own son Wilhelm to London, where he met up with his brother, Johann Christian Bach. Two years later, in 1780, J.C.F. Bach composed his own cantata “Wachet auf” as a tribute to his father, further developing its theme. We can only speculate that when he met his brother in London two years earlier, his plans to compose it were already ripening, and that it formed part of their discussions.

Now pursue the trail further: Five months later, in August 1778, Johann Christian Bach traveled to France, where he met 22-year-old Mozart at the estate of Louis, Maréchal de Noailles. (France had recognized the new American republic in April 1778; de Noailles was a backer of the American war against the British Empire, and his granddaughter’s husband had joined with Lafayette in George Washington’s army.) J.C. Bach, then 42, was a long-time mentor and friend of Mozart, having first met him in 1764 when Mozart’s father took the eight-year-old prodigy to London. Much later, Mozart’s sister Nannerl recollected that

“Herr Johann Christian Bach, music master of the queen, took Wolfgang between his knees. He would play a few measures; then Wolfgang would continue. In this manner they played entire sonatas. Unless you saw it with your own eyes, you would swear that just one person was playing.”

Could J.C. Bach have suggested the “Wachet auf” theme that his brother was working on, to his younger friend? Perhaps, perhaps not, but the facts alone already give an idea of the rich interpenetration of ideas among Europe’s greatest musical minds. The Vesperae solennes, far from being a “solemn” work which its title might suggest, is bubbling with optimism and kernels of ideas which he developed in his later works, especially his operas. In fact, these little idea-lets fly by so quickly, that one scarcely has time to take one in, before yet another cascades in.

In part, this lack of time to develop ideas was an evil from which Mozart was already plotting to escape, namely from the Bishop of Salzburg’s strict edict that no work of sacred music last longer than 30 minutes! Fortunately, we today do not have to adhere to the Bishop’s arbitrary rule, and so we shall take a bit longer than that, in the hope that you may manage to take in as many snatches as possible of these great ideas.


Houston Concert: The Healing Power of Mozart & Spirituals

The Houston Schiller Institute Community Chorus, with Maestro Dorceal Duckens, our great pianist Joshua, and newly added string players, made beautiful music unto Heaven during our May 5th concert at the Riverside United Methodist Church, 3rd Ward, Houston. Ironically, the lights in the church sanctuary were not working the day of the concert; thus, creating a dramatic setting as the sun set through the church’s gorgeous stained glass windows. With wonderful acoustics in the church, and the evening sun filling the sanctuary, the concert made a big impact on the audience. The “Mozart Effect” on the 50+ attendees in audience was palpable.

While the church was not full, those in attendance reflected a broad outreach of our organizing around the city. We had a number of pastors, several members of the Ebony Opera Guild, members of our director’s church, Chinese contacts of the Schiller Institute, and a few members of the Riverside Church. Many attending knew Maestro Duckens only as a great singer and were amazed to discover he is also a great conductor! Also in attendance was the vocal coach from another local opera company, as well as the Choir Master from a local church.  A couple drove over an hour after they had seen the concert advertised on an online blog. Before the concert, while speaking to a member of the chorus, the couple was very curious about the connection between Schiller the poet, economics, politics, and music but as they were leaving, they shook the member’s hand and promised they were going to look up Schiller when they got home.  One of the directors from a homeless center was amazed. He had never heard Mozart performed before and had no idea about his role in the American Revolution. Another woman, employed by the church, told a member of the chorus she used to be a singer until she developed nodes on her vocal chords and could no longer sing the high soprano notes. Imagine her fascination when she learned we sing at the C=256 pitch to preserve the human voice and instruments! During the performance she was observed singing softly with every Spiritual. Another attendee, who has followed the work of the Schiller Institute and chorus member Kesha Rogers’ campaigns for congress, told a member afterwards that this concert had “healed him” since he had just suffered the loss of a child two weeks ago.

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Worth noting is the impact the Mozart Solemn Vespers on this audience, many of whom knew the Spirituals well. One of the “church ladies” remarked to a chorus member, “you guys were full of the Spirit—even the Mozart was like that!” In observing the ladies during the concert, he noted how they looked at each other in amazement during the intense contrapuntal sections. One turned to two others and mouthed, “I want to clap” after the Laudate Dominum, but held herself back, as did the rest of the audience, until we had completed the entire work.  Following the event, we had a small reception where several of the attendees joined us for discussion; people were just beaming with joy.

Several people inquired about joining our chorus. This was certainly on a higher level than anything that we have done before. We truly unified and brought the community together from all walks of life around beautiful bel-canto music that moved the mind and soul. We were so happy to be joining our friends there in NY as both choruses sang in harmony together in different space times.

For more information about the Schiller Community Chorus or how to join, visit our Houston Chorus page.


Mission Statement

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Human civilization is currently threatened by the most dire crisis in modern history: an ongoing disintegration of the world economic system, leading into a threatened thermonuclear confrontation, and deepened by cultural degeneration. A shift to a new paradigm is the only way forward. This paradigm shift must address the axioms underlying today’s catastrophic policies, and must be as fundamental as that axiomatic shift which moved European civilization out of the Middle Ages into modern times, with all its breakthroughs in natural science and Classical artistic composition.

In the first week of 2013, the Schiller-Institute published a new, multilingual website, presenting the proceedings of the successful recent conference it held in Flörsheim, Germany, titled
A New Paradigm for the Survival of Human Civilization. The site is now online at newparadigm.schillerinstitute.com.

The panel speakers dealt with

  • The Greater Middle East: Trigger for World War III Or for The Beginning of a New Era
  • Space Cooperation and Other Common Aims of Mankind
  • Great Multi-National Development as the Alternative To World War and Chaos
  • There Is Life After the Euro! What Kind of a Europe Do We Want?
  • A Renaissance of Classical Culture in Europe

Also included was a classical concert performed by musicians of the Schiller Institute, with works by Ignaz Lachner, Giuseppe Verdi and Ludwig van Beethoven.

All presentations from the above proceedings can be found under newparadigm.schillerinstitute.com.
This website is intended to serve as a platform for exchanging ideas and bringing this paradigm shift about.

All fields of society must work together in this immediate period – from scientific research, engineering, and agriculture, to great Classical artistic composition and performance. To avoid world war, to overcome the poverty and hunger connected with underdevelopment, to develop humanity’s capacity in the solar system and the galaxy, and to inspire the youth generation with works of beauty to fight for a future: all talents are needed!

Please take the time to view the conference proceedings on the new website! There is an extended discussion function and possibilities to contact us.


SONGS OF A NEW WORLD – Concert June 15th 2019, Quincy MA

A contribution to the struggle for the Inalienable rights of all human beings. To Life Liberty and the Pursuit of Happiness. For the United States to overcome our cultural crisis, we must create a new unified culture, founded on the most beautiful ideas and discoveries, contributed by the American experience to the treasure chest of human culture.

Please, join our Community Chorus in celebrating and investigating through music on June 15, 3 PM in Quincy!

WP concert June 15 image

Antonin Dvorak, who was brought to American for the purpose of creating an American classical music culture, by Jeanette Thurber, the founder of the National Conservatory, recognized that that creative surge among American composers and the people in general could be ignited by the beauty and profound ideas found in the American folk music, known today as the spirituals.

Said Harry T. Burleigh:

“It was Dvořák who taught me that the spirituals were meant not only for the colored people, but for people of all races, and every creed.  In New York, I was with Dr. Dvořák almost constantly.  He loved to hear me sing the old plantation melodies.  His humility and religious feeling – his great love for common people of all lands – enabled him to sense the pure gold of plantation song… he understood the message ever manifest:  that the eventual deliverance from all that hinders and oppresses the soul will come, and man – every man – will be free.”

Although the experiment was attacked and shut down to a certain degree, the hypothesis is valid and still reverberates. The fragments exist for the artist, and the chorus, to pick them up and out of them weld together, in one harmonious whole, a nation, through the development of a uniquely American, noble school of classical music.

For more information and to RSVP, please contact Jen at SchillerBostonChorus@gmail.com


Beijing Review Publishes a Major Article By Helga Zepp LaRouche

The prestigious Beijing Review on Thursday, April 17, published a major article by Helga Zepp-LaRouche, titled, “Roads to the West—Geopolitical Spectacles Make it Impossible to See the Solutions.

Zepp-LaRouche starts,

“For the last several years or so, Western media and mainstream politicians have chosen to largely ignore the Belt and Road Initiative, which Chinese President Xi Jinping proposed in 2013. The initiative, consisting of the Silk Road Economic Belt and the 21st-Century Maritime Silk Road, efficiently addresses the infrastructure needs of developing countries, which the West simply pretended not to exist.

“But, at a certain point it dawned on the Western establishment that China was not only building an enormous amount of railway lines, ports, bridges, power plants and industrial parks in Asia, Africa and even in parts of Europe, but that the prospect of poverty alleviation offered by China instilled an unprecedented spirit of optimism.”

See the full article here.


French Dailies’ Supplement on Belt and Road Covers Schiller Institute Dossier

The major French dailies Le Figaro and Le Monde published a full-page paid supplement on the Belt and Road Initiative last week which includes three articles: a larger one entitled “BRI: Soon Six Years of Implementation”; a second one entitled “One China-Europe Link Is Already on a Good Track,” and one last article, about one fifth of the page, on the Schiller Institute’s book-length dossier “The New Silk Road Becomes the World Land-Bridge,” headlined “Everything You Want To Know about the ‘World Land-Bridge.'” The three articles are written by People’s Daily journalists.

The first two articles are full of updates on the ongoing great Silk Road projects; the third, on the Schiller Institute and its dossier, was written by Ge Wenbo, who has already several times covered our work in Africa.

The articles are a paid supplement, published in both papers. The articles are shorter in Le Monde, in particular on our dossier, which became a small box with the same title.  The translation follows:

“All You Need To Know about the ‘World Land-Bridge'”

“Last year, on Nov. 6, the Schiller Institute, an international think tank, published the French version of its dossier ‘The New Silk Road, a World Land-Bridge To Bring Geopolitics to an End.’ The presentation, which took place in the Paris 5th arrondissement municipality, recommends countries to take part in the Belt and Road Initiative.

“Contrary to the analysts on the other side of the Atlantic, often prisoners of the ‘geopolitical’ software in which the winner always wins to the detriment of the loser, we try to show here that a new win-win paradigm is not only possible but indispensable.  Whereas the New Silk Roads must be known because of the major opportunity they represent for international trade, above all they must be known, explains this dossier, as a multilateral alternative to financial globalization, a true leverage to restart growth and a chance for peace. Helga Zepp-LaRouche, president and founder of the Institute, affirms that since its launching in 2013, the BRI has shaped the world. The Chinese initiative will have a growing influence over more and more countries and improve the future.”

A photo of a container ship at berth accompanies the article with a following caption: “Container ship CSCL Star, with thousands of containers onboard, sailed from Shanghai and reached France’s port of Le Havre a month later. That port plays an important role in the implementation of the 21st Century Maritime Silk Road.” 


Houston Chorus Performs Mozart’s Vespers & Spirituals

The Houston Schiller Institute Community Chorus invites you to their performance of

Mozart’s Solemn Vespers, K.339 & Selections from African American Spirituals

Sunday, May 5th, 2019

Riverside United Methodist Church, 4920 Cullen Blvd, Houston, TX 77004
Conducted by Maestro Dorceal Duckens

Both pieces performed at the Verdi tuning of c=256 Hz.

Admission is free, suggested donation $10.00

RSVP


Zepp-LaRouche Interviewed by Kirk Meighoo on BRI and New Paradigm

Kirk Meighoo in Trinidad & Tobago, a former Senator and a notable academic and political figure in the country, has done a beautiful 1-hour podcast with Helga Zepp-LaRouche as his guest. The podcast centered on the issue of the Chinese role in development around the world, as part of the global New Silk Road (Belt and Road Initiative, BRI). Zepp-LaRouche reviews 45 years of initiatives from her husband, Lyndon LaRouche, and herself, for the kind of American System economics embedded in the BRI, and evaluates how the United States can be brought aboard.

 


Schiller Institute Becomes Founding Member of CGTN Think Tank

China’s English language international media organization, CGTN (China Global Television Network), founded on Dec. 4 the “CGTN Think Tank” as part of the third annual Global Media Summit, with over 300 people attending from the world’s political, business, media and technology circles. The new think tank will have “cooperative relationships with 50 renowned think tanks worldwide, with goals to offer insights on world development and promote communication among different cultures,” according to a statement from the network. Here is a short video of the launching ceremony.

Among the founding members at the event was Helga Zepp-LaRouche, as the “Founder and President of the Schiller Institute.” Other prominent members include the heads of associations dedicated to a dialogue of civilization, Chambers of Commerce, and other similar institutions.

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Helga Zepp-LaRouche addressed the first panel at the event, focusing on the rapidly unraveling Western financial system and the urgency of a new Bretton Woods conference to establish a new system coherent with the spirit of the New Silk Road. She stressed the necessity for the United States and Europe to cooperate with the Belt and Road Initiative in the industrialization of Africa and in the reconstruction of Southwest Asia. Extending the BRI into a global World Land-bridge conception, she explained, would also lay the basis for replacing NATO. “Not only is NATO ‘braindead’, but it is obsolete, because it does no longer express the self-interest of its member countries. Now, once we have a global Belt & Road Initiative cooperation, we can also create a new international security architecture. And while people may think that this is a Utopian conception, it is the only way out an existential crisis for all of humanity.”

She also was interviewed by the English-language China Radio International (see below).

Mrs. Zepp-LaRouche reported how upset her Chinese interlocutors are, about deteriorating relations between the U.S. and China, and the vile attacks on China from the United States, fearing that relations are not likely to be restored for a long time. Although they are aware of the impeachment drive against Donald Trump, most have no sense of the coup being carried out. Nor are they generally aware of the severity of the financial crisis and the looming crash, she added. Therefore, she focused on those issues in her interview with CRI.

China Radio International Interviews Helga Zepp-LaRouche

The interview, recorded for the hour-long “World Today” program China Radio International/China Plus on Dec. 5, features Schiller Institute president and founder Helga Zepp-LaRouche for 12 minutes. She makes the point that the main problem in present U.S.-Chinese relations is the neo-cons in both U.S. party leaderships; that President Donald Trump is under extreme pressure by the attempt to overthrow his presidency and therefore is not quite acting towards China the way he would like.

Trump wants good relations with Russia and China, Zepp-LaRouche told the program. Once this cabal is defeated, she said, U.S. relations with China will improve. The Chinese model of economic development, particularly the elimination of poverty, is building a new paradigm which is the constructive alternative to the doomed Western system, and China is actually doing what the United States did in the period after the American Revolution. In Xinjiang, China has a positive approach that the Western media have taken no notice of; and in Hong Kong, the British role is the key factor, HZL stressed.


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