General updates about activity the Schiller Institute is concerned about
Mozart – Beethoven a musical dialogue over time. Notes by Margaret Scialdone. Mozart’s opera Don Giovanni, the story of a dissolute lecher who is finally dragged to Hell, provided a rich source of material for Beethoven. In the opening scene, Don Giovanni kills the Commendatore, who has rushed to avenge the rape of his daughter, […]
Mozart’s birthday; Beethoven’s regard for him. Notes by Margaret Scialdone. ~ As January 27th is the 265th birthday of Wolfgang Amadeus Mozart, we’ll step away from the sonatas for a few days and allow Beethoven to pay homage to his great predecessor. The teenaged Beethoven first went to Vienna in 1787, and it’s believed that […]
“Green” Means No Humanity – Stop the Great Reset! The Schiller Institute website has launched a new page intended to generate a scientific discussion on the fraud of the “climate science” now being used to justify the global drive toward a fascist Great Reset. The page includes presentations, articles and a discussion space for truthful […]
Schiller Institute NYC Chorus Robert Burns – Friend of FreedomJoin us for a birthday celebration.Sunday, January 24th, 6:00 pm EST As the story goes, in 1793, at a private dinner in England, when the host proposed the health of William Pitt [first prime minister of Great Britain], the poet said, sharply, “Let us drink the health of […]
Beethoven Opus 119 Bagatelles Notes by Margaret Scialdone The Opus 119 Bagatelles appeared in London in 1823 as “Trifles for the Piano Forte, Consisting of Eleven pleasing Pieces Composed in Various Styles by L. Van Beethoven”. They are quite accessible to non-celebrity but accomplished pianists, and it’s possible to hear brilliant interpretations by people you […]
Beethoven’s Final Sonata Opus 111 Notes by Margaret Scialdone After completing his 32nd and final piano sonata, Beethoven is said to have made the astonishing remark that the piano is “after all, an unsatisfactory instrument”. This work does indeed strain the limits of both piano and performer, the latter spiritually as well as technically. The […]
Beethoven’s “Der Erlkönig” Notes by Margaret Scialdone Goethe’s poem “Der Erlkönig” tells the story of a boy riding home on horseback in his father’s arms. He is frightened when he hears the seductive voice of the Erl King, a powerful and creepy supernatural being. The Erl King attempts to lure the child into joining him, […]
Beethoven’s humor—“The Test of Kisses” Notes by Fred Haight This song, “Prüfung des Küssens, WoO 89” (The Test of Kissing), was composed between 1790–1791, for Bonn’s Electoral singer, Joseph Lux. It is for a bass and orchestra. The author of the text is unknown, but this song, in the Italian opera buffa style, is skillfully […]
Beethoven : Creatures of Prometheus Notes by Margaret Scialdone In 1801 the ballet master Salvatore Viganó was commanded to prepare a performance for Empress Maria Theresa. He chose the subject of Prometheus giving science and the arts to Mankind, and turned to Beethoven to compose a score for his libretto. “Creatures of Prometheus” is Beethoven’s […]
When Beethoven Becomes Hilarious! Notes by Fred Haight We have had several episodes on Beethoven’s sense of humor. Today, we cross over into utter hilarity. Beethoven composed folk songs in many languages, including English, Italian, Danish, and Russian. The first piece today is not a folk song but a setting of Goethe’s The Flea from […]