A memorial event celebrating the life and legacy of American statesman, Lyndon H. LaRouche, Jr. was held in Manhattan, June 8th, 2019 with simultaneous satellite events watching across the country. See the full program below.
Lyndon LaRouche in His Own Words
Dennis Speed, narrator
Hall Johnson (arr.): “When I Was Sinkin’ Down”
Hall Johnson (arr.): “I Don’t Feel No-Ways Tired”
Reginald Bouknight, tenor soloist
Schiller Institute Festival Chorus
Diane Sare, director
J.S. Bach: “Jesu, meine Freude,”BWV 227
Schiller Institute Festival Chorus
Andrés Vera, violoncello
Bruce Director, contrabass
John Sigerson, director
INTERMISSION
The Third Trial of Socrates
Dennis Speed, narrator
Roland Hayes: “They Led My Lord Away”
Elvira Green, alto
Roland Hayes: “Crucifixion”
Frank Mathis, baritone
Johannes Brahms: “Dem dunkeln Schoß der heil’gen Erde”
Schiller Institute Festival Chorus
John Sigerson, director
Ludwig van Beethoven: Sonata for Violonello and Piano, Op. 69
I. Allegro ma non tanto
II. Scherzo
III. Adagio cantabile
IV. Allegro vivace
Andrés Vera, violoncello
My-Hoa Steger, piano
Ludwig van Beethoven: “Adelaide,” Op. 46
John Sigerson, tenor
Margaret Greenspan, piano
Johannes Brahms: “Immer leiser wird mein Schlummer,” Op. 105, No. 4
Elvira Green, alto
My-Hoa Steger, piano
The Triumph of Lyndon LaRouche
Dennis Speed, narrator
Epilogue
Robert Schumann: “Mit Myrthen und Rosen”, Op. 24, No. 9
John Sigerson, tenor
Margaret Greenspan, piano
Wolfgang Amadeus Mozart: “Ave verum corpus,” K. 618
To be sung by everyone
J.S. Bach: Chorale “Wenn ich einmal soll scheiden” from St. Matthew Passion
Schiller Institute Festival Chorus
This article appeared in the January 24, 2014 issue of Executive Intelligence Review. We post it here with the permission of the publisher.
By Dennis Speed
I was Twenty-three years old at the turn of the century. It was a time of brave expectations. Many believed that a new epoch was at hand—that the dawn of the twentieth century would prove to be a turning point in the affairs of men. They cited recent scientific advances and predicted a future of great social progress. The era, they said, was approaching when poverty and hunger would at last disappear. In the way people make fervent resolutions at the start of a new year, the world seemed to be resolving at the start of a new century to undergo a change for the better. Who then foresaw that the coming decades would bring the unimaginable horrors of two world wars, concentration camps, and atomic bombs?
Pablo Casals,
Joys And Sorrows
Those capable of foresight—and for civilization to survive, the American population must become so capable—will recognize the truth in Casals’ observation. Yet, it is our duty to shape the future, and thus to know it. To paraphrase another slain U.S. President: We are now engaged in a 150 years war, testing whether any nation, so conceived and so dedicated, as is the United States, can long endure. Assassinations against American Presidents, have been the preferred criminal method of choice, for dealing with the problem of the American Cultural Exception. So it was with John Kennedy, his brother Robert, and Dr. Martin Luther King.
To respond to the challenge of reproducing and increasing the power of foresight for civilization’s survival in the short and long term is the unique mission of the Schiller Institute, a mission which the Institute brought to the City of Boston on Sunday, Jan. 19. The Schiller Institute Chorus, augmented by additional singers and an orchestra largely comprised of volunteers from the New England Conservatory of Music, presented Mozart’s Requiem in its entirety to an audience of 1,200 at Boston’s Cathedral of the Holy Cross, performed exactly 50 years to the day, of a 1964 Solemn High Requiem Mass specially requested by the Kennedy family.
One year after his October 1962 defiance of that faction of “principalities and powers,” including Britain’s Lord Bertrand Russell, that dared to believe that nuclear war against the Soviet Union was not only conceivable, but winnable (the Cuban Missile crisis), John Kennedy was murdered in Dallas. His assassination, along with that of his brother Robert, and of Martin Luther King, has hung “like a dead hand upon the brain of the living,” until now. Four generations have been unable to shake off their effects. That is because there is only one reliable method for doing so: People must be elevated above and beyond their own pre-selected, limiting self-expectation. People require, not “the facts” of “what really happened,” but the fire of insight needed to reverse our unending national trauma. No preaching, slogans, or imprecations will cause a terrorized people to have courage. Only their own voices, heard as through the mirror of a great artistic performance, can move the despairing to a higher place, a mountaintop where their souls, much to their surprise, actually live.
Conductor and Schiller Institute Music Director John Sigerson, in an interview with a reporter from The Pilot, newspaper of the Boston diocese, was asked whether the Schiller Institute believes that “Classical music can create a change in our culture.” Sigerson’s answer to this was “No.” Rather, he asserted, it was the juxtaposition of the “musical” with the “non-musical,” in this case several excerpts of speeches by JFK, heard at precisely selected points in the Requiem, that would allow members of the audience to be provoked to change their minds, and thus hear the music. Sigerson said: “The JFK speeches alone wouldn’t work, and the music alone wouldn’t work. It’s the uncomfortable juxtaposition of the two that works,” this by creating an unexpected cognitive discomfort and tension for the audience.
The Schiller Institute has employed for the second time—the first being in Vienna, Va., on Nov. 22, the 50th anniversary of the President’s assassination—the spiritual and therapeutic power of the MozartRequiem to restore the power of cognition to Americans. As Schiller Institute Founder Helga Zepp-LaRouche said in her remarks, such a Classical revival is necessary to inspire Americans to take up Kennedy’s mission again, even as the world currently stands at the edge of thermonuclear war.
The Preparation of the Audience
Master of Ceremonies Matthew Ogden provided a prelude to the music, using a selection of speakers, messages, and quotations to allow everyone in the audience equal access to the depth of meaning contained in the moments they were about to experience, “not in time, but in the Idea,” as Nicholas of Cusa says. For those two and one-half hours, the “virtual reality” brainwashing that accounts for the toleration of a Nietzschean “all is permissible” popular “culture” was interrupted. Those who might have objected that “it’s too long for the audience to concentrate” were once again proven wrong. It was essential that they be prepared to listen, and not merely hear, the Mozart composition. But why?
In the words of the German conductor Wilhelm Furtwängler, “As far as music is concerned, there is nothing about which the so-called ‘public’ knows less than about its own mind. Above all, there is one prior condition needful to the listener—whether as an individual or as an audience—if he is to formulate a judgment of real value: and that is, he must have enough time.” This essential pre-condition having been met before a single note was sung, the audience was thus pre-organized to respond at a higher level than it would otherwise have been capable, even with the best musical performance.
There was more to the audience preparation, however. This audience was assembled through a thorough, consistent political intervention and fight. This audience recruitment was the result of an intense organizing effort conducted over about six weeks or so. There was a successful “outreach” campaign throughout the Boston metropolitan area. One portion of the audience had come because of ads in theBoston Globe and other news outlets. The Pilot was cited by many as their source of news. Several Boston schools and colleges were represented, along with senior centers and various community organizations. Leaflets and posters were distributed in Chinese, Vietnamese, Spanish, Portuguese, English, and French. Several foreign consulates attended the concert, as well as state representatives from Maine and Rhode Island. There were messages from Michael D. Higgins, President of the Republic of Ireland; Boston City Councilman Steven Murphy; and from Nicholas Di Virgilio, tenor, the only surviving soloist from the 1964 concert (see below for his remarks).
Many who attended recalled having been at the 1964 performance: it must be remembered that for the then-largely Catholic Boston, Holy Cross was their local church. Ray Flynn, former Boston Mayor, and later, Ambassador to the Vatican, who had also attended the 1964 performance, expressed the sense of gratitude and true happiness that the citizens of Boston felt for the thoughtfulness that went into ensuring that the historic nature of the occasion did not go unrecognized (see box).
The Performance, and the ‘Pitch’
The Schiller Institute Chorus, soloists Ron Williams (baritone), William Ferguson (tenor), Heather Gallagher (mezzo-soprano) and Nataly Wickham (soprano), and the largely New England Conservatory of Music-based freelance orchestra constituted for Sunday’s performance, accomplished its primary task: to present the Mozart Requiem as a single, unified Idea. The unity of effect of the performance allowed the words of President Kennedy, the which worked to punctuate and underscore Mozart’s presentation of the idea of immortality, to pose a dialogue about the nature of immortality’s triumph over death with each audience member, as well as the audience as a whole. Maestro Sigerson also noted that the performances of the “Recordare” and “Benedictus” sections of the piece, both set for vocal quartet, were “of a piece” with the entirety, and were delivered with the exact meaning that Mozart intended them to convey.
The performance was conducted at a tuning of A=432, nearly a quarter tone lower than most modern performances, and is a standard feature of Schiller Institute musical practice. While this is sometimes referred to as the “lower” tuning, that designation is imprecise. It is the propertuning; it is merely “lower” than what is currently practiced as the wrong, “higher” tuning. The tuning range for music is perhaps more clearly stated as middle C=256 cycles per second, which yields an A=427-432. The C=256 is the tuning at which the Mozart Requiem was composed, designed, and intended to be heard.
The next day, The Boston Music Intelligencer, self-described as a “virtual journal and essential blog of the classical music scene in greater Boston,” ran an extensive positive review under the headline, “JFK Remembered in Musical Tribute,” characterizing it as “a polished traditional performance.”
One of the supporters of the Schiller Institute, conductor Anthony Morss, who has worked with, and conducted experiments demonstrating the reasons for insisting on what is also referred to as, “the Verdi pitch,” supplied an essay that appeared in the concert program intended to provide some background on the matter (see below).
Art as Necessity
The necessity of art—not only its moral, but physical necessity—was stressed in the brief and precise remarks directed to the audience by Schiller Institute founder Helga Zepp-LaRouche.
“It is necessary to commemorate the celebration of Mozart’s Requiemwhich was performed for John F. Kennedy, 50 years ago in this cathedral. It is urgent to evoke again the divine spirit of beauty of Mozart’s composition in order to reconnect us with the better world which both Kennedy and Mozart represent,” she said. Zepp-LaRouche insisted, along with the “Poet of Freedom” Friedrich Schiller, after whom the Institute, which celebrates its 30th year in 2014, was named and founded by her, that death is swallowed up in the victory of the power of musical immortality as Mozart, Bach, and Beethoven exemplify, and as the power of the Kennedy Apollo Project also demonstrates. Kennedy’s optimism allowed every American, and, with the successful landing of the human species on the moon, everyone on the planet, to know, by demonstration, that the mind, though contained in a body, is not that body; the mind has no physical limits (see box).
Zepp-LaRouche’s reference to “reconnection to a better world” highlighted the inevitable and necessary Ideas that were not merely evoked, but provoked, by the performance. And, it must needs be so: Kennedy’s appreciation for and promotion of the Classical arts and of Classical artists was at the very foundation of his Presidency, though this has been largely ignored in these intervening years. Who, for example, would even today recognize these as the words of JFK, given on the occasion of a commemoration of the poet Robert Frost at Amherst College, October 26, 1963, less than a month before his death?
“Our national strength matters, but the spirit which informs and controls our strength matters just as much. This was the special significance of Robert Frost…. it is hardly an accident that Robert Frost coupled poetry and power, for he saw poetry as the means of saving power from itself. When power leads men towards arrogance, poetry reminds him of his limitations. When power narrows the areas of man’s concern, poetry reminds him of the richness and diversity of his existence. When power corrupts, poetry cleanses. For art establishes the basic human truth which must serve as the touchstone of our judgment.”
Now, and Then
There were some key differences between the 1964 and 2014 performances. In 1964, it was an astonishing step to include the Mozart Requiem in the context of the Catholic Solemn High Requiem Mass ceremony—the first time that that had ever been done in the United States.
There was another important difference. In the case of this performance-commemoration, 50 years of erosion of the thinking capacities of the American people, particularly by means of the cacophonous obscenity known as “popular entertainment”—including in the form of the post-2000 American Presidencies—required a uniquely insightful rendering of the music by the performers.
It is essential to note, that the chorus was composed of non-professional Schiller Institute singers, many of whom are involved in daily organizing work with both Helga and Lyndon LaRouche. Initially, many Boston-based semi-professional and professional singers had volunteered to be part of the performance, but withdrew because of a campaign denouncing the Schiller Institute, carried out by certain local members of the Democratic Party to intimidate singers. Some refused to listen, and thus “qualified” themselves to participate. Importantly, not only did the local organizers of the event, composed primarily of former members of the LaRouche Youth Movement who were assisted by an experienced and older group of LaRouche Political Action Committee organizers, not attempt to conceal in any way “who they were.” In fact, the organizers insisted that everyone they speak with fully understandwhy it was that only the Schiller Institute, and Lyndon and Helga LaRouche, out of everyone in the United States, had insisted that this 50th anniversary commemoration take place.
To answer that question, we pose a seemingly unrelated question, actually identical to the first.
Why was Kennedy, despite his flaws, seen as exceptional by people who were often critical (and sometimes pitiless) judges of human character, such as Charles de Gaulle, Douglas MacArthur, and Eleanor Roosevelt? Posed another way: Why did Kennedy embody for these severe critics of human character, as well as for many “normal Americans,” an efficient deployment of the U.S. Presidency on behalf of furthering the progress, not merely of the United States, but of mankind?
The answer to this is posed as follows.
A statement from his Jan. 20, 1961 Inaugural Address, differentiated Kennedy then, and differentiates Kennedy now, from all the Presidents who have served after him: After listing all of the tasks his Administration will aspire to accomplish, including “a call to bear the burden of a long twilight struggle, year in and year out, ‘rejoicing in hope, patient in tribulation’—a struggle against the common enemies of man: tyranny, poverty, disease and war itself,” Kennedy observed:
“All this will not be finished in the first one hundred days. Nor will it be finished in the first one thousand days, nor in the life of this Administration, nor even perhaps in our lifetime on this planet. But let us begin.”
Kennedy forecasted his “willed fate” truthfully, and acted accordingly. Despite all the things he did not live to accomplish, in that thousand days, Kennedy managed to save the world from nuclear destruction, and send to, and put the human race on the Moon. The capacity to access the revolutionary principle embedded in the American Constitution and its Declaration of Independence, on which the Lincoln and Kennedy Administrations built their respective commitments and contributions to American progress, has simply not emanated from the Presidency as the guiding policy outlook of any U.S. Administration since Kennedy’s assassination.
In fact, today, the opposite commitment now exists, in the form of the Obama Administration, and the predecessor Bush Administration, and must be reversed by an American people made culturally competent to do so.
That is the reason that the Schiller Institute was uniquely qualified to propose, organize, and perform the Nov. 22 and Jan. 19 Kennedy remembrances. We refuse to submit to voluntary amnesia. There is a connection between courage and intelligence. Kennedy lived up to his own studies of courage under adversity. None of us can do less.
On January 19, 1964, Boston Honored Her Fallen Son John Fitzgerald Kennedy With A Performance of Mozart’s Requiem at the Cathedral of the Holy Cross
Join Us, Exactly 50 Years Later, In A Commemorative Performance.
SUNDAY, JAN. 19, 2014
3:00 PM
CATHEDRAL OF THE HOLY CROSS
1400 Washington Street, Boston, MA 02118
Admission is free. First come, first seated.
“From the past, man obtains the insights, wisdom and hope to face with confidence the uncertainties of the future.”
– John F. Kennedy’s remarks to the centennial of Lincoln’s Gettysburg Address, November 19, 1963, three days before his death
It is fitting that 50 years later we commemorate the spirit of cultural and economic progress that John F. Kennedy’s leadership represented for America and the world. With this spirit, President Kennedy confronted and sought to overcome the terrifying prospects of global war, poverty, and human degradation that faced our nation and the world during his time. In the intervening years, these existential problems have come to threaten mankind in even greater magnitude, but the national mind that had joyfully embraced the challenge to conquer the Moon, has been supplanted by a spirit that belittles the sacredness of the human individual and the power of human creativity.
Wolfgang Amadeus Mozart’s Requiem is a most fitting tribute to John F. Kennedy, as Mozart’s work communicates the same optimism and belief in man’s infinite progress to which President Kennedy dedicated his life. The spark of optimism which marked the Kennedy era, though dimmed, is still present among us because it is embedded in the very fabric of our nation from its founding.
Let us honor the memory of John Kennedy by not only reflecting on what was, and what could have been, but on how our culture has changed, and how we must now recommit ourselves to its renewal.
The concert will be performed by the Schiller Institute Chorus along with an orchestra and soloists assembled for the occasion by the Schiller Institute. The performance will be at the natural “Verdi tuning” of A=432 Hz.
The Schiller Institute was founded in 1984 on the initiative of Helga Zepp-LaRouche, wife of the American statesman and physical economist Lyndon LaRouche, for the purpose of reviving the paradigm of Classical culture and reasserting the right of all humanity to material, moral, and intellectual progress. It is named after Friedrich Schiller, the “Poet of Freedom” whose ”Ode to Joy” is immortalized by Beethoven in his Ninth Symphony.
The Schiller Institute announced today that it will present “A Remembrance of President John F. Kennedy and Recommitment to the Principles of His Presidency, Featuring a Performance of W.A. Mozart’s Requiem in D minor, K. 626” on Friday, November 22, 8:00 p.m., at St. Mark Catholic Church in Vienna, Virginia.
The concert will be performed by the Schiller Institute Chorus along with an orchestra and soloists assembled for the occasion by the Schiller Institute. The performance will be at the natural “Verdi tuning” of A=432 Hz, in keeping with the Schiller Institute’s decades-long campaign to return to the tuning which has been demonstrated to maximize the beauty of the singing voice and of fine musical instruments.
In its flyer for the concert, the Schiller Institute elaborates on why it is holding this event at this time.
“From the past, man obtains the insights, wisdom and hope to face with confidence the uncertainties of the future.” —President John F. Kennedy’s remarks to the centennial of President Abraham Lincoln’s Gettysburg address, November 19, 1963—three days before his death
November 22, 2013, will mark the 50th anniversary of the assassination of President John F. Kennedy. It is fitting on that solemn occasion to commemorate the spirit of cultural and economic progress with which Kennedy confronted, and sought to overcome, the terrifying prospects of global war, poverty, and human degradation that faced our nation and the world during his time. In the intervening years, these existential problems have come to threaten mankind in even greater magnitude, yet our national spirit of progress has been replaced with cultural pessimism and indifference. The great economic, scientific, and cultural projects begun then have long ago been dismantled, and their memory buried and all but forgotten. The national mind that joyfully embraced the challenge to conquer the Moon has been supplanted by a spirit that belittles the power of human creativity and accepts the inevitability of economic decline.
Therefore, to properly honor the memory of John Kennedy, not only must we reflect on what was, and what could have been, but on how our culture has changed, so that we can recommit ourselves to its revival. The spark of optimism which marked the Kennedy era, though dimmed, is still present among us, because it is embedded in the very fabric of our nation from its founding, having its roots in the great Renaissance thinker Nicholas of Cusa, in such works as his Concordantia Catholicaand De Docta Ignorantia.
Wolfgang Amadeus Mozart’s Requiem is a most fitting tribute to Kennedy. It expresses Mozart’s passion for the concept of Man which he saw, in his time, as forming the basis for the establishment of the American republic, that Kennedy would come to promote and defend, and because the young genius Mozart pitted his creations directly against the same regressive social forces which arranged the assassinations of the President, his brother, and Martin Luther King.
An honest performance of Mozart’s work communicates the same optimism and belief in man’s infinite progress to which Kennedy, following in Franklin Roosevelt’s footsteps, dedicated his life, in resolute opposition to those who wish to drastically reduce the world’s population through perpetual warfare and denial of basic needs, and in affirmation of that which distinguishes him uniquely from the beasts, namely his creative capacity to discover new, yet-unthought universal principles.
The Schiller Institute was founded in 1984 on the initiative of Helga Zepp-LaRouche, wife of the American statesman and physical economist Lyndon LaRouche, for the purpose of reviving the paradigm of Classical culture and reasserting the right of all humanity to material, moral, and intellectual progress. It is named after Friedrich Schiller, the Poet of Freedom whose Ode to Joy is immortalized by Beethoven in his Ninth Symphony. The institute has sponsored many international conferences devoted to promoting the idea that a dialogue among cultures can only be fruitful when it focuses on each culture’s noblest expression.
[Transcript included] Helga Zepp-LaRouche gave an excellent 42-minute video interviewto GBTimes’ Senior Editor Asa Butcher on May 10. GBTimes is aChinese multimedia site based in Finland, and established toenhance a dialogue between China and Europe.
Transcript
GBTimes: We’ll begin. I’m going to focus on the Belt andRoad Initiative today, following on from the Forum in Beijinglast week. If you could describe your feelings on the outcome ofthe Forum that concluded last week in Beijing.
HELGA ZEPP-LAROUCHE: Oh, I think it was very a reallyimportant progress as compared to the first Belt and Road Forum.The first Belt and Road Forum was filled with optimism and theknowledge of all the participants that we were experiencing thebirth of a new system of international relations — that wasalready extremely important. But I think the Second Belt andRoad Forum saw a consolidation of that, so you have actually anew system of international relations which is overcominggeopolitics, and I think this is one of the most importantoutcomes, apart from, naturally, the enormous economicdevelopment which was presented. But I think the idea that youhave a system which has a win-win possibility for everybody tocooperate, is the way to overcome geopolitics, and that is theremaining danger, which after all, caused two world wars in thelast century. So this is a real breakthrough for humanity.
GBTimes: There’s been a growing criticism and backlashagainst the BRI. Do you think this is misunderstanding,suspicion toward this new system? What are your thoughts onthat?
ZEPP-LAROUCHE: It’s actually a temporary phenomenon,because the funny thing was, here you had the largestinfrastructure program in history, ever, with enormous changesfor Africa, for Latin America, for Asia, even for Europeancountries, and the Western media and think-tanks pretended it didnot exist for almost four years! And then, all of a sudden, theyrealized, “Oh, this is really growing so rapidly; it is includingmore than 100 countries.” So they started what I think was acoordinated attack, slandering the Belt and Road Initiative, witharguments which I think can all individually can be proven to bea lie. It comes from the old geopolitical effort to control theworld by manipulating countries against each other, and with theBelt and Road Initiative, I think that possibility is vanishing,and that’s why they’re so angry and hysterical.
GBTimes: What could China do to reduce this demonization ofthe BRI?
ZEPP-LAROUCHE: I think China is already doing a lot. Forexample, even Handelsblatt, which was very negative towards theBelt and Road Initiative in the past, they had to bring anarticle which brought out the fact that the whole argument thatChina is putting the countries of the third world into a “debttrap” is not holding. For example, the IMF just released figuresthat there are 17 African countries which may not be able to paytheir debt, but China is only engaged in 3 of them, and all ofthe others have huge debts to the Paris Club and to other bigWestern banks — so, who’s putting whom into a debt trap?
All of these arguments will be very easy to counter-argue,and the more China makes known its beautiful culture, people willbe won over. Because the beauty of Chinese painting, ofClassical music, it will win over the hearts. And the mostpeople understand what China is actually doing, the less theseattacks will be possible to maintain.
GBTimes: The attacks are more on China than on the Belt andRoad Initiative, you say?
ZEPP-LAROUCHE: Well, yes. They’re on China because Chinais the major motor behind it. And some of the attacks were thatChina is supposedly an autocratical dictatorship, andsurveillance state and all of these things. But first of all,concerning surveillance, I think the NSA and the GCHQ haveoutdone anybody already. And naturally China has a system whichuplifts the morality of the people: This is based on theConfucian tradition, and for some of the very liberal people inthe West, that is already too much, because it disturbs theiridea that everything goes, everything is allowed, and from thatstandpoint, any kind of emphasis on morality is too much forthese people.
GBTimes: Isn’t sometimes criticism of new ideas andinitiatives healthy? It’s what we understand here in the West, wedon’t openly unquestionably accept new things. We do question,and we are a little bit cynical sometimes.
ZEPP-LAROUCHE: It’s superfluous. It’s a waste of energyand it distracts people from accomplishing what needs to beaccomplished: Namely, to overcome poverty in Africa, in LatinAmerica, even in Europe. You know, Europe has 90 million poorpeople, and I have not seen a plan by the European Union toovercome poverty by 2010, which China intends to do with its ownpoor people.
So I think it’s a waste of energy, and it comes from what Icall, when people put on geopolitical spectacles and haveneocolonial headphones, then they see and hear the world quitedifferently from what it is, namely, they only project their ownviews.
GBTimes: Having been writing about China for the last 5-7years, it has made a dramatic entrance onto the world stage, whenI started writing about it many years ago. And the speed of itsarrival, the size of the investments, it can scare a lot ofcountries — just family and friends who don’t know much aboutChina, they want to know about my job where I’m introducing Chinato the West, as this bridge. There’s a lot of amisunderstandings. Do you think some of it comes from thisignorance? And how could that be changed?
ZEPP-LAROUCHE: I have the feeling that everybody who was inChina, either as a tourist or as a business person, investing ortrading, they all come back and they have a very, very positiveview. People are impressed about what they see, the reallyincredible fast train system. Then, if you go in the region ofShenzhen, Zhuhai, Guangdong, Macao, Hong Kong, this is thepowerhouse of the world economy, not just the Belt and RoadInitiative.
Compare that with the decrepit infrastructure in the UnitedStates or many parts of Western Europe, for example. Less thantwo years ago, I was in Zhuhai at a conference, and we visitedthis bridge between Hong Kong and Zhuhai and Macao, linking thisentire triangular: And this bridge was built, I think, in sixyears or eight years, including planning! Now, in Germany, wehave a famous bridge between Mainz and Wiesbaden, which has beenin repair for almost six to eight years, and it’s still notready!
So, I think if people go to China, they come back and theyare completely impressed, because they see that in China, peoplehave now virtues, like industriousness, ingenuity, creativity —these are all values we used to have in the West, like when theGermany economic miracle was made in the postwar reconstruction,these values and virtues were German. But now, no longer. Now,we have all kinds of other crazy ideas, and therefore China istaking the lead.
So the people who go to China come back with a positiveimage, and those who have not been, naturally, they’re scared bythe negative reports in the media. So the more people canactually go and form their own image, the better.
GBTimes: I have myself, I’ve seen a disconnect betweenChina and Chinese society, and then the role of the Chinesegovernment, the more negative side that gets covered about in theWestern media. Do you think, for instance, with the BRI is justa way to legitimize the Chinese leadership in the world, and toraise it up to the same level that is given to the othercountries? Do you think that’s acceptable?
ZEPP-LAROUCHE: Well, it is a challenge. Some of the Westerninstitutions talked about that there is now a competition of thesystems, meaning the Chinese state model and the Western freemarket model. And in one sense, it is true; the only problem isthat if you have the neo-liberal system, especially after thecrisis of 2008, only favoring monetarist interests — the banks,the speculators — and the gap between the rich and the poorbecomes ever wider, naturally, then, if you have a country wherethat is not the case, namely, China having a policy which isoriented toward the common good, an increasing well-to-do middleclass of 300 million people, which in 5-10 years will be 600million people, and obviously the vector of development isupward, naturally that is regarded as a threat by the neo-liberalestablishment, which only takes care of its own privileges.
So in a certain sense, the challenge does exist, but I thinkthere is the possibility of a learning process, so one can behopeful that even some elements of the Western elites willrecognize that China is doing something right.
GBTimes: What do you think China could learn from theWestern mode? And vice versa, what do you think the two couldlearn from one another?
ZEPP-LAROUCHE: I think China can learn a lot from the West,but I’m afraid to say, not from the present, contemporaries, or,there is very little to learn. Naturally, ESA cooperating withthe Chinese space agency, there is a lot of exchange possible.But in terms of general, cultural outlook, I think China has togo back about 200 years to find positive things in Europe, or theUnited States, for that matter. You know, European Classicalculture can be an enormous enrichment for China, but these arecomposers who are Bach, Mozart, Beethoven, Schubert, Schumann, orgreat poets. But these are all things which, unfortunately arenot dominating the cultural outlook of most Europeans andAmericans today. So there has to be a dialogue across thecenturies, and then both sides can profit from each other.
GBTimes: In a sense, you’re very pessimistic about theWestern stands at the moment. Do you think China is the onlyoption available to the West at the moment?
ZEPP-LAROUCHE: No, I’m not pessimistic, I’m just sayingthat you see that some of the elites, or so-called elites, arehardened in their view. You have others who are absolutelyrecognizing that the whole mankind needs to cooperate together innew ways, for example, Switzerland. You know the President ofSwitzerland, who participated in the Belt and Road Forum justsigned a memorandum of understanding, not only for Switzerland,but for a whole group of Central and Eastern European countries,which Switzerland is representing in the internationalorganizations.
So there is a big motion. You have Italy signing amemorandum of understanding with China, on the development ofAfrica. Greece wants to be the gateway between trade from Asia,through the Suez Canal all the way into Europe. Portugal andSpain want to be the hub for the Portuguese- and Spanish-speakingpeople around the world.
So there is a lot of dynamics and motions, I’m justreferring to some of the monetarist views and those people whotalk about the “rules-based order” all the time, but what theyreally mean is austerity.
So, I’m not talking about the West in general. I think theWest — I’m an optimist about the potential of all human beings— I’m only talking about certain parts of the establishment inthe West.
GBTimes: You mentioned Italy and Switzerland. Howsignificant is it that they signed up to the BRI now?
ZEPP-LAROUCHE: I think this is extremely important. Firstof all, Italy, as you know, is the third largest economy inEurope. The north of Italy is highly industrialized and has alot of industrial capability; many hidden champions actually arein northern Italy. So, if such a country is now, as the first G7country, officially joining with a memorandum of understanding,this can become the model for all of Europe. And Prime MinisterGiuseppe Conte who just participated in the Belt and Road Forumcame back and said exactly that: That Italy plans to be theleader in bringing about a better relation between China andEurope. So I think this is extremely important.
And Switzerland, even if it may be a small country, they areindependent; they are sovereign, they are not part of theEuropean Union. And President Maurer just declared, or hisspokesman, that they do not need advice from the European Unionbecause they can make their own policy. So, I think this is alla new, healthy spirit of self-consciousness and self-assertion,which is very good, and can be indeed a sign of hope foreverybody else.
GBTimes: How do you see it impacting Europe, theirparticipation in the BRI, in the short term, and perhaps in thelonger term?
ZEPP-LAROUCHE: Well, there are different learning curves:Some are quicker, others are slower. For example, the so-calledfour big countries — that does not include Italy — that didnot send heads of state or government, but only ministers, Spain,France, Germany, and I think Great Britain, by not sending theirheads of state sort of expressed their reservation. But theneven the German Economic Minister Altmaier, who on the first dayof the Belt and Road Forum basically said, “we have to havetransparency and rules,” with the usual kind of arguments, butthe next day, he said something much more positive. He said: Oh,this was much better than I expected, the Chinese are actuallytrying to solve problems, and I will come back in June with alarge delegation of businessmen. So, I actually find this quitegood. It shows that eventually, I think, I hope, reason willprevail.
GBTimes: I think some of the obstacles for Westerncountries, is like Turkey refusing to participate because of theUighur problem; that there are other issues that aren’t relatedto the Belt and Road, that China has to overcome first.
ZEPP-LAROUCHE: All of these problems will eventually besolved, because I think the key to solving of any regional,ethnic, historical cultural problem is development. If peopleactually see the advantage of turning non-developed countries orareas into prosperous ones, into having more youth exchange,young people understanding each other, people-to-people exchange,dialogue of cultures, bringing forth the best tradition of eachculture; plus, naturally, real improvement of living standards,longevity, I think that even if not all develop with the samespeed, we are at a tremendous change of an epoch of humancivilization. The idea of these local and regional conflictswill eventually not be there any more.
If I just can point to the fact that now the eightradio-telescopes working together, being able to make, for thefirst time, images of the black hole in a galaxy which is 55million light-years away, proving that Einstein’s theory ofgeneral relativity was actually correct — now, that, for me isthe sign of the future: Because this image could not have beenmade by one country alone. It needed telescopes sited in Chile,in Spain, in the United States, in the Antarctic, and you neededthe whole world actually working together to make such atechnological breakthrough possible.
I think that that will be the kind of relationship peoplewill have to each other in the future, and I think this is whatXi Jinping really is the kind of thing he means when he says, “ashared community for the one future of humanity.” Because thecommon interest will eventually come first, and then everythingelse will fall into place.
GBTimes: Another one of the criticisms was currently “allroads lead back to Beijing” rather than a multilateral approachto BRI, where it’s between other country, it always leads back toChina at the moment. Do you think that is a problem?
ZEPP-LAROUCHE: I don’t know. First of all, I think Russiahas a big influence, I think the African countries are becomingmuch more knowledgeable and confident about their own role. Thereare many Africans who speak that, in the future, Africa will bethe new China with African characteristics. So, I think it’s allchanging very quickly, and those people who complain that thereis too much Chinese influence, well, then they should bring intheir active, creative contribution, and define what the newplatform of humanity should be.
And I think China has said many times, and I have absolutelyevery confidence that that is the case, that they’re not tryingto export their social model, but that they’re just offering theexperience of the incredible success of the last 40 years of theform in opening-up, and basically tell developing countries,“Here, if you want to have our help in accomplishing the samething, we are willing to provide it.” And naturally, thecountries of the developing sector, which had been neglected, oreven treated negatively by colonialism, by the IMFconditionalities, when they now have the absolute, concrete offerto overcome poverty and underdevelopment, why should they nottake it?
So, I think all these criticisms are really badly coveredefforts to hide their own motives. I really think China is doingthe best thing which has happened to humanity for a very longtime, and I think the Belt and Road Initiative is the onlylong-term plan for how to transform the world into a peacefulplace. And I think that should be applauded and people shouldhave a cooperative approach.
GBTimes: My next question was going to be, how confidentare you that the BRI will pay off for China, but I get the sensethat you’re very confident.
ZEPP-LAROUCHE: Oh, I think it already paying off! First ofall, it makes it more easy for China to develop its own westernand internal regions, because they are now sort of integratedinto the Belt and Road transport routes to Europe, to CentralAsia, integrating the Belt and Road Initiative with the EurasianEconomic Union, and hopefully eventually also the European Union.So I think it is already bringing benefits to China.
And from an economic standpoint, the more a country exportshigh technology goods and technologies, the more than becomes amotor to develop one’s own industry even to high levels. So it’slike a self-inspiration, so to speak, and that is already payingoff. That’s what any country should do.
GBTimes: You mentioned technology: It’s also the digitalSilk Road, Digital Belt and Road. Of course, China has a lot ofcontrol over its internet, on the Great Firewall: How much of abarrier do you think that will be for countries to buildrelationships via the Belt and Road Initiative?
ZEPP-LAROUCHE: You mean the G5 question and Huawei?
GBTimes: Well, partly that, too, but also the control ofthe internet inside of China, which is difficult for Westerncompanies to do business, to establish themselves, as there are alot of controls there. Do you think that could be a barrier, aspart of the digital Belt and Road, that’s also being discussed.
ZEPP-LAROUCHE: Well, I think there can be ways of makingarrangements which are satisfying to everybody. This wholequestion of “digital control” and so forth, is highlyexaggerated, because, if you look at who is controlling theinternet, you have the big firms, Apple, Google, Facebook, andthey are very linked with the Western government’s. You know, ina certain sense, after the scandal of the NSA listening intoeverybody’s discussions, which erupted a couple of years ago andwhich was never changed or remedied or anything, we are living ina world where that already happening. And I think China is notdoing anything more than the NSA or the already mentioned GCHQdoing that in the West.
So I think the fact that China has a competitive system, tothis Western system is what causes all of this debate. Becausethe people who had the control of the internet first, they shouldlike to keep it that way, and they regard China as a competitor,which they don’t like, but that’s a fact of reality now.
GBTimes: One question I have is why do you think the Beltand Road Initiative is needed, when there’s the AsianInfrastructure Investment Bank, now? Do you think the two aremutually exclusive, or do they work together?
ZEPP-LAROUCHE: No, I think the Belt and Road Initiative hasmany financing mechanisms. You have the AIIB, you have the NewSilk Road Fund, you have a lot of the Chinese banks themselveswhich are doing the investment. I have been advocating for avery long time, that the West should modify its own creditinstitutions to work on a similar principle. Now, that would beactually very possible, because the American System of economy asit was developed by Alexander Hamilton, who created the firstNational Bank as an institution for issuing credit, that isactually very close to what China is doing. As a matter of fact,I would even go so far as to say, that the Chinese economic modelis much closer to the American System, as it was developed byAlexander Hamilton, and then revived by Lincoln, by Henry C.Carey, by Franklin D. Roosevelt; so if the United States wouldsay, we create our own national bank; and Germany, for example,would say, we go back to the Kreditanstalt für Wiederaufbau, theCredit Institution for Reconstruction, which was used for thereconstruction of Germany in the postwar period, which was also astate bank, — or it still is a state bank — then you could havea new credit system, whereby each country would have their ownnational bank; you would have clearing houses in between them tocompensate for duration of investment, or the differences betweensmall and large countries with lots of raw materials, or not somuch — you need these clearinghouses. But you could create anew credit system, a New Bretton Woods system with fixed exchangerates, having a stability in the system which the Western systempresently does not have.
So, I think that the more countries go to these kinds ofcredit financing of projects the more stable this new system willbecome.
GBTimes: Do you think the United States will ever becomepart of the Belt and Road Initiative, under the Presidency ofDonald Trump, or perhaps whoever is voted in next
ZEPP-LAROUCHE: That’s actually the big question, you know:Will the rise of China be answered by the United States, eitherwith a war, the Thucydides trap which some people have mentionedas a danger? There were in history twelve cases where a risingpower overtook the dominant power up to that point, and it led towar; and there were four cases where it happened in a peacefulway. Now, China, first of all, has offered that neither of thesetwo options should occur, but they have offered a special greatpower special relationship model, based on the acceptance of theother social model’s sovereignty, non-interference. And I thinkTrump with his America, First policy is more inclined to respondto such a model than the previous administrations of Obama andBush, who had these interventionist wars in the Middle East andeverywhere else for exporting their system of so-called“democracy” and human rights.
So I think President Trump has said very clearly that hewants to have a good relationship with China. He calls PresidentXi Jinping his friend all the time. And I think the presenttrade negotiations actually, in my view, demonstrate that theUnited States would suffer tremendously, if they would try todecouple from the Chinese economy. They probably would suffermore than China, because China is much more capable, in my view,to compensate for the loss of the relationship with the UnitedStates.
But I think that the hopefully reasonable way would be tosay, “OK, let’s use the foreign exchange reserves of China whichthey have in terms of U.S. Treasuries; let’s invest them throughan infrastructure bank in the United States, to help to modernizeAmerican infrastructure.” And that would be an urgent need,because if you look at the U.S. infrastructure, it’s really in aterrible condition, and President Trump, who is talking today, Ithink, with the leading Democrats Pelosi and Schumer on a newinfrastructure legislation; the sums which are discussed here,from what I have heard so far, are so small! First of all, theRepublicans don’t want to have Federal spending; the Democratsare talking only about “repair,” and small issues.
So, what is lacking in these discussions is a grand design,where you would take the approach China has taken for themodernization of its infrastructure: To have fast train systemsamong all the major cities, to have slow-speed maglev trains forintra-urban transport. Now, you could take that same approachand modernize the entire infrastructure of the United States. Andif China would, in turn, off that U.S. companies would integratemore into the projects of the Belt and Road around the world, itwould be beneficial for both. Some American companies are alreadydoing that, like Caterpillar, General Electric, Honeywell, butthat could be a real incentive for the United States to go in tisdirection.
Hopefully it will happen that way, because if not, I think aclash between the two largest economies would be a catastrophefor the whole world: So, let’s hope that the forces of good willall work together to get to this positive end.
GBTimes: Let’s talk about the Schiller Institute itself asa think tank. What is your day-to-day role in the promotion ofthe Belt and Road Initiative? How do you work to support it?
ZEPP-LAROUCHE: Oh, you know, this all goes back to thelife’s work of my husband, who died recently: Mr. LyndonLaRouche; who spent, actually, the last 50 years, to work on veryconcrete development projects. The first such project wepresented in ’76 in Paris. This was a comprehensive plan for theinfrastructure development of all of Africa. Then we workedtogether with the President of Mexico José López Portillo on aLatin American development plan — this was ’82. We worked withIndira Gandhi on a 40-year development plan, and also in thebeginning of the ’80s, we developed a 50-year development planfor the Pacific Basin. And then, when the Berlin Wall came down,and the Soviet Union disintegrated, we proposed to connect theEuropean and Asian population and industrial centers throughdevelopment corridors, and we called that the EurasianLand-Bridge.
So we have been engaged in these kinds of big projects forthe transformation of the world economy for the last decades, andnaturally, we proposed it to China in the beginning of the ’90s.I attended a big conference in ’96 in Beijing, which had thetitle, “The Development of the Regions along the EurasianLand-Bridge.” And China, at that time, declared the building ofthe Eurasian Land-Bridge the long-term strategic aim of China by2010. Then, naturally, came the Asia crisis in ’97, so the wholething go interrupted.
We were very happy when Xi Jinping announced the New SilkRoad in 2013, because, in the meantime, we had kept working forthis. We had many conferences, actually hundreds ofconferences and seminars all over the world. So this is has beenone major point of what the Schiller Institute has been doing forthe last decades. So naturally, we are very happy that now, whatwas only planning on our side is now being realized by the secondlargest economy in the world, and therefore, it becomes reality:And that makes quite happy.
GBTimes: Is there anything else you’d like to add? I’veasked my questions and a lot more. Is there anything we haven’ttouched upon, you’d like to talk about?
ZEPP-LAROUCHE: We could talk a little bit more about theculture of the New Silk Road.
GBTimes: Please — in what way?
ZEPP-LAROUCHE: Well, I think that the New Silk Road, or theBelt and Road Initiative, it’s not just about economics andinfrastructure. But I think equally important, if not moreimportant, in my view, is the cultural side of it: That it couldlead and will hopefully lead to an exchange of the besttraditions of all cultures of this world. And by reviving thebest traditions, like Confucianism in China, Beethoven inGermany, and Schiller; Verdi in Italy, and so forth and so on, itwill ennoble the souls of the people, and I think that that isthe most important question right now, because I agree withFriedrich Schiller, according to whom this institute is named:That any improvement in the political realm can only come fromthe moral improvement of the people. And therefore, I think it’salso very interesting to me that President Xi Jinping hasemphasized the aesthetical education as extremely important,because the goal of this is the beautiful mind of the pupil, ofthe student.
Now, that is exactly what Friedrich Schiller said, who inthe response to the Jacobin Terror in the French Revolution,wrote his Aesthetical Letters in which he develops hisaesthetical theory, which I find is in great cohesion with whatXi Jinping is saying; and that has also to do with the fact thatthe first education minister of the Chinese Republic studied inGermany, and he studied Schiller and Humboldt; his name was CaiYuanpei — I’m probably pronouncing it wrong again — but hewas the first president of the Beijing University, and I thinkthere is a great affinity, a much greater affinity between thethinking of the aesthetical education as it is discussed by XiJinping and as it does exist in the Schiller-Humboldt traditionin Germany, in particular. I would just hope that that kind of adialogue could be intensified, because then I think a lot of theprejudices and insecurities about the other culture woulddisappear, and you would bring back and bring forth the best ofall sides.
GBTimes: How could this be accomplished, do you think? Whatsort of forms?
ZEPP-LAROUCHE: You can organize conferences, you can moreconsciously make the poetry known — I think poetry is very, veryimportant, which is naturally not so easy, because as Schillersaid, you have to be a poet in two languages to do justice to thepoetry of one language. You could have more conscious theaterperformances, not just as an entertainment but involvingstudents, children, adults, and make more exhibitions, make moredeep-level understanding of the other culture.
I think China is doing an enormous amount of that, but Iwould have still some suggestions to make it more thanentertainment, because many people go to these things, and theydon’t quite “get it” what it’s all about; and then, it was nice,but the deeper philosophical, poetical, musical meaning could bemade more pedagogically intelligible, and I think that would be away of opening the hearts of more people, because they wouldrecognize what treasures are there to be discovered.
GBTimes: Do you have any closing words on the Belt and Roadyou’d like to share with our readers?
ZEPP-LAROUCHE: I think we are probably the generation onwhom later generations will look back to, and say, “Oh! This wasreally a fascinating time, because it was a change from an epochto another one.” And I have an image of that, which is, thischange that we are experiencing right now, is probably going tobe bigger than the change in Europe between the Middle Ages andmodern times. In the Middle Ages you had people believing in awhole bunch of axioms, the scholastics, Aristotelianism,witchcraft — all kinds of strange beliefs — and then, becauseof the influx of such thinkers as Nicholas of Cusa, or theItalian Renaissance, the modern image of man, of science andtechnology, of the sovereign nation-state, all these changeshappened, and they created a completely different view of theimage of man and of nature, and the universe, and everything wecall “modern society” was the result of this change.
Now, I think we are in front, or the middle of such anepochal change, where the next era of mankind will be much, muchmore creative than the present one, and that’s something to lookforward to, because we can actually shape it, and we can bringour own creative input into it. And there are not many periodsin history when that is the case: So we are actually lucky.
The following resolution was adopted on April 14, at the conclusion of a two-day conference by the Schiller Institute, which was dedicated to the creation of a New Paradigm to Save Civilization.
“We, gathered here near Frankfurt, Germany, representing countries from all continents, give our full support to the immediate voting up of a Glass-Steagall Act in the United States, both in the House of Representatives and the Senate, in line with the bill introduced by Rep. Marcy Kaptur and Rep. Walter Jones called the “Return to Prudent Banking Act” (HR 129).
“We are all convinced that it is a matter of life or death, and that it is only a Glass-Steagall Act in the United States that can stop the genocidal policies of the worldwide monetarist system. It is the necessary weapon to break the chains of the British Empire. In a word: It is either Glass-Steagall, or chaos and genocide.
“We in our respective countries are committed to lead that fight for a Glass-Steagall principle, both in the United States and within each of our nations. Glass-Steagall is only the first step. We must also replace the present monetary system with a public credit system in the tradition of Alexander Hamilton, based on national banking, in order to finance reconstruction of the world economy. That implies each country’s sovereignty over its own currency.
“If mankind is to have a future, we must end the present policies of conflict resolution through war, and agree on the common aims of mankind, such as overcoming poverty on Earth, and defending the planet against the very real dangers from outer space through the policies of the Strategic Defense of Earth.
“The immediate implementation of Glass-Steagall, however, is the absolutely irreplaceable mandatory first step, without which none of the other objectives has any chance of realization.
“Our common development is the new name of peace and the only alternative to thermonuclear war.”
On Sunday May 5th, the Schiller Institute NYC Chorus performed the Mozart Solemn Vespers, African-American Spirituals, and Verdi at a concert dedicated to the memory of Lyndon LaRouche in Little Italy of the Bronx. The chorus was joined by five professional soloists and orchestra, and everything, except the Bach organ prelude was performed at the Verdi tuning of c=256 Hz.
250-300 people turned out in the pouring rain to hear this wonderful program, which opened with the church organist playing a Bach organ prelude, and ended with Italian Opera arias sung by the soloists. Although there were several young children in the crowd, there was not a sound, except applause, which erupted after the first amen in the Vespers. One person commented that the Vespers was performed in such a transparent way that the genius of Mozart leapt out at him—the orchestra playing counterpoint to the chorus, as another voice, and not a unison.
Having everyone’s best loved Italian Opera arias sung by African-American, Chinese, and Greek soloists definitely demonstrated the universal quality of great music, and thrilled the Italian-Americans in the audience, and several were heard to be singing along by the end.
Also in attendance was the Ambassador from Sri Lanka to the UN, who was recognized by the priest and by Dennis Speed in his welcoming remarks, who expressed a dedication to the memory of those who had perished in the Easter massacres in Sri Lanka, killing over 300 people, including children in Sunday School. In dedicating the concert to Lyndon LaRouche, Dennis quoted from LaRouche’s review of the Mozart opera La Clemenza di Tito, and spoke of Lyndon’s critical insights and support for the choral process in Manhattan.
“All Classical art speaks directly to you, as an individual personality; it addresses the question each of us must ask ourselves at some point in our lives, or perhaps even repeatedly,
‘Who am I, and what are we? Since we are all born, and shall die, what is the meaning of that individual existence we occupy between birth and death? What is the continuation of that life, even after we are dead?’ Thus, great Classical art touches the same issues as Christianity and the themes of Judaism treated by the great Moses Mendelssohn.
“So, Mozart speaks to you personally, through La Clemenza di Tito, from the operatic stage. “Mozart does not preach; he evokes the experience of the discovery of the principle of agapë within the cognitive experience of the individual member of the audience, by means of the unfolding, ironical development within the drama as a whole. In the history of Christianity, for example, it has been the similar re-experiencing of the Passion of Christ from Gethsemane through and beyond the Crucifixion, which has been the artistic quality of reliving that impassioned experience upon which the strength of Christianity has depended. There is perhaps no more conclusive demonstration of that, than is supplied by J.S. Bach’s St. Matthew Passion.
“…At the time of his death, and earlier, Mozart was essentially a leading Christian of his time, as his Ave Verum Corpus expresses this principle of Classical artistic composition with wonderful succinctness.”
Lyndon LaRouche
The chorus, now in its 5th year, has 80 members from Brooklyn, Queens, Manhattan and northern NJ, and the singers range in age from 27 to 89, and include college students, young professionals and retired people, a Chinese concert pianist, and a Bishop from a Church in Harlem, who also speaks German. They have all developed over the years, to the point that new members often flee, intimidated by the quality of the Manhattan rehearsal, and we have to call them back and assure them that many of the people they think sound so good, also couldn’t read music when they joined. (And many still can’t.)
The audience was largely from the neighborhood of the church, which is a very well-known Italian area, and has Italian shops, restaurants and bakeries which have been in the same families for over a century, in several cases. Italian-Americans from all over Westchester County, NJ and Connecticut come here to get their favorite Italian foods. These shop owners have been regular patrons of the chorus, buying ads in our programs for the last 3 years, and always asking us, “When are you going to hold a concert in the Bronx???” They were thrilled that we finally were at their church, Our Lady of Mount Carmel.
The associate priest, who is from Ghana, loved every minute of the concert and asked us to come back. When we said, “Yes, maybe next year.” He said, “I wish you could be here every day!”
Video coming soon!
To find out more about the NYC Schiller Institute Chorus, visit sinycchorus.com.
At the Dawn of a Musical Revolution:
Mozart’s Solemn Vespers
The following was written by Schiller Institute music director, John Sigerson, who conducted the May 5 performance in New York City.
By the time he composed the Vesperae solennes de confessore in 1780, the 24-year-old Wolfgang Amadeus Mozart was already a vastly accomplished composer who had produced 14 masses and hundreds of other works. Yet in this work, a setting of one of the most ancient offices of the Catholic Church, we experience vigorous new buds of a musical and scientific revolution—a revolution that today is making it possible to raise all humanity “out of the dust, and lift the needy out of the dunghill” (Psalm 113, “Laudate pueri”).
For today, we can celebrate the fact that the nation of Italy, cradle of the high Florentine Renaissance and of the Church, has reached out to officially join with history’s greatest movement to eliminate poverty worldwide, China’s “New Silk Road” or “Belt and Road” initiative, a policy grounded in Confucian principles which resonate with those of the best of the Western Christian humanist tradition.
“But wait a minute!” you might be saying to yourself. “How could a revolution in music possibly launch an economic plan to eliminate poverty worldwide?” The answer is both simple and complex: We are all human, and unlike other animals and inanimate things, our ability to make breakthroughs in our spiritual grasp of universal principles governing the created universe, enables us physically to devise new technologies, and also new forms of culture, to harness those principles for the betterment of all mankind. Every truly great physical scientist, from Nicholas of Cusa and Kepler to Einstein and Vernadsky, every great physical economist from Gottfried Leibniz and Alexander Hamilton to Lyndon LaRouche, and every great Classical composer from J.S. Bach to Mozart, Beethoven, and Brahms, well knew that connection.
The nature of what is best termed the Mozart-Haydn Revolution in Music, in fact occurred about two years after Mozart composed the Vespers, i.e. in 1781-82, when Mozart, who had just moved his family to Vienna, participated in discussions with Josef Haydn and others at the salon of Baron van Swieten, who from Berlin had brought back manuscripts of the virtually suppressed works of Johann Sebastian Bach. For both Mozart and Haydn, the explosive impact of Bach’s works such as The Musical Offering and The Art of the Fugue unleashed “a new way of composing” (in Haydn’s words), based not on melodic forms, but rather on more fundamental elements underlying those forms. This new method has been described by Norbert Brainin, the late first violinist of the legendary Amadeus Quartet, as Motivführung, or motivic thorough-composition; it frees all the voices in a composition to generate new forms in such a way, that it is not the sounds of the music—however pleasant they may be—but rather the underlying, soundless musical/poetic ideas which govern the development.
Returning to Mozart’s 1780 Vespers, in hindsight we see here the buds that bore that rich fruit, in relation both to J.S. Bach, but also to Mozart’s older friend Josef Haydn.
Take, for example, the second piece in the series, “Confitebor,” a setting of Psalm 111. Anyone who has heard J.S. Bach’s famous cantata “Wachet auf, ruft uns die Stimme” will immediately hear this echoed in the opening bars of the “Confitebor,” which also happens to be in the same key of E-flat Major. Had Mozart seen or heard that cantata? Probably not in performance. The original Lutheran hymn with that melody was first published in 1599 by Philipp Nicolai, and stood in many Lutheran hymnals. But more likely, is that it was suggested to Mozart directly, via a member of Bach’s large family which extended throughout Europe.
Consider this: In April 1778, J.S. Bach’s fourth son, Johann Christoph Friedrich Bach, traveled along with his own son Wilhelm to London, where he met up with his brother, Johann Christian Bach. Two years later, in 1780, J.C.F. Bach composed his own cantata “Wachet auf” as a tribute to his father, further developing its theme. We can only speculate that when he met his brother in London two years earlier, his plans to compose it were already ripening, and that it formed part of their discussions.
Now pursue the trail further: Five months later, in August 1778, Johann Christian Bach traveled to France, where he met 22-year-old Mozart at the estate of Louis, Maréchal de Noailles. (France had recognized the new American republic in April 1778; de Noailles was a backer of the American war against the British Empire, and his granddaughter’s husband had joined with Lafayette in George Washington’s army.) J.C. Bach, then 42, was a long-time mentor and friend of Mozart, having first met him in 1764 when Mozart’s father took the eight-year-old prodigy to London. Much later, Mozart’s sister Nannerl recollected that
“Herr Johann Christian Bach, music master of the queen, took Wolfgang between his knees. He would play a few measures; then Wolfgang would continue. In this manner they played entire sonatas. Unless you saw it with your own eyes, you would swear that just one person was playing.”
Could J.C. Bach have suggested the “Wachet auf” theme that his brother was working on, to his younger friend? Perhaps, perhaps not, but the facts alone already give an idea of the rich interpenetration of ideas among Europe’s greatest musical minds. The Vesperae solennes, far from being a “solemn” work which its title might suggest, is bubbling with optimism and kernels of ideas which he developed in his later works, especially his operas. In fact, these little idea-lets fly by so quickly, that one scarcely has time to take one in, before yet another cascades in.
In part, this lack of time to develop ideas was an evil from which Mozart was already plotting to escape, namely from the Bishop of Salzburg’s strict edict that no work of sacred music last longer than 30 minutes! Fortunately, we today do not have to adhere to the Bishop’s arbitrary rule, and so we shall take a bit longer than that, in the hope that you may manage to take in as many snatches as possible of these great ideas.
The Houston Schiller Institute Community Chorus, with Maestro Dorceal Duckens, our great pianist Joshua, and newly added string players, made beautiful music unto Heaven during our May 5th concert at the Riverside United Methodist Church, 3rd Ward, Houston. Ironically, the lights in the church sanctuary were not working the day of the concert; thus, creating a dramatic setting as the sun set through the church’s gorgeous stained glass windows. With wonderful acoustics in the church, and the evening sun filling the sanctuary, the concert made a big impact on the audience. The “Mozart Effect” on the 50+ attendees in audience was palpable.
While the church was not full, those in attendance reflected a broad outreach of our organizing around the city. We had a number of pastors, several members of the Ebony Opera Guild, members of our director’s church, Chinese contacts of the Schiller Institute, and a few members of the Riverside Church. Many attending knew Maestro Duckens only as a great singer and were amazed to discover he is also a great conductor! Also in attendance was the vocal coach from another local opera company, as well as the Choir Master from a local church. A couple drove over an hour after they had seen the concert advertised on an online blog. Before the concert, while speaking to a member of the chorus, the couple was very curious about the connection between Schiller the poet, economics, politics, and music but as they were leaving, they shook the member’s hand and promised they were going to look up Schiller when they got home. One of the directors from a homeless center was amazed. He had never heard Mozart performed before and had no idea about his role in the American Revolution. Another woman, employed by the church, told a member of the chorus she used to be a singer until she developed nodes on her vocal chords and could no longer sing the high soprano notes. Imagine her fascination when she learned we sing at the C=256 pitch to preserve the human voice and instruments! During the performance she was observed singing softly with every Spiritual. Another attendee, who has followed the work of the Schiller Institute and chorus member Kesha Rogers’ campaigns for congress, told a member afterwards that this concert had “healed him” since he had just suffered the loss of a child two weeks ago.
Worth noting is the impact the Mozart Solemn Vespers on this audience, many of whom knew the Spirituals well. One of the “church ladies” remarked to a chorus member, “you guys were full of the Spirit—even the Mozart was like that!” In observing the ladies during the concert, he noted how they looked at each other in amazement during the intense contrapuntal sections. One turned to two others and mouthed, “I want to clap” after the Laudate Dominum, but held herself back, as did the rest of the audience, until we had completed the entire work. Following the event, we had a small reception where several of the attendees joined us for discussion; people were just beaming with joy.
Several people inquired about joining our chorus. This was certainly on a higher level than anything that we have done before. We truly unified and brought the community together from all walks of life around beautiful bel-canto music that moved the mind and soul. We were so happy to be joining our friends there in NY as both choruses sang in harmony together in different space times.
For more information about the Schiller Community Chorus or how to join, visit our Houston Chorus page.
A contribution to the struggle for the Inalienable rights of all human beings. To Life Liberty and the Pursuit of Happiness. For the United States to overcome our cultural crisis, we must create a new unified culture, founded on the most beautiful ideas and discoveries, contributed by the American experience to the treasure chest of human culture.
Please, join our Community Chorus in celebrating and investigating through music on June 15, 3 PM in Quincy!
Antonin Dvorak, who was brought to American for the purpose of creating an American classical music culture, by Jeanette Thurber, the founder of the National Conservatory, recognized that that creative surge among American composers and the people in general could be ignited by the beauty and profound ideas found in the American folk music, known today as the spirituals.
Said Harry T. Burleigh:
“It was Dvořák who taught me that the spirituals were meant not only for the colored people, but for people of all races, and every creed. In New York, I was with Dr. Dvořák almost constantly. He loved to hear me sing the old plantation melodies. His humility and religious feeling – his great love for common people of all lands – enabled him to sense the pure gold of plantation song… he understood the message ever manifest: that the eventual deliverance from all that hinders and oppresses the soul will come, and man – every man – will be free.”
Although the experiment was attacked and shut down to a certain degree, the hypothesis is valid and still reverberates. The fragments exist for the artist, and the chorus, to pick them up and out of them weld together, in one harmonious whole, a nation, through the development of a uniquely American, noble school of classical music.
For more information and to RSVP, please contact Jen at SchillerBostonChorus@gmail.com
Human civilization is currently threatened by the most dire crisis in modern history: an ongoing disintegration of the world economic system, leading into a threatened thermonuclear confrontation, and deepened by cultural degeneration. A shift to a new paradigm is the only way forward. This paradigm shift must address the axioms underlying today’s catastrophic policies, and must be as fundamental as that axiomatic shift which moved European civilization out of the Middle Ages into modern times, with all its breakthroughs in natural science and Classical artistic composition.
In the first week of 2013, the Schiller-Institute published a new, multilingual website, presenting the proceedings of the successful recent conference it held in Flörsheim, Germany, titled A New Paradigm for the Survival of Human Civilization. The site is now online at newparadigm.schillerinstitute.com.
The panel speakers dealt with
The Greater Middle East: Trigger for World War III Or for The Beginning of a New Era
Space Cooperation and Other Common Aims of Mankind
Great Multi-National Development as the Alternative To World War and Chaos
There Is Life After the Euro! What Kind of a Europe Do We Want?
A Renaissance of Classical Culture in Europe
Also included was a classical concert performed by musicians of the Schiller Institute, with works by Ignaz Lachner, Giuseppe Verdi and Ludwig van Beethoven.
All presentations from the above proceedings can be found under newparadigm.schillerinstitute.com.
This website is intended to serve as a platform for exchanging ideas and bringing this paradigm shift about.
All fields of society must work together in this immediate period – from scientific research, engineering, and agriculture, to great Classical artistic composition and performance. To avoid world war, to overcome the poverty and hunger connected with underdevelopment, to develop humanity’s capacity in the solar system and the galaxy, and to inspire the youth generation with works of beauty to fight for a future: all talents are needed!
Please take the time to view the conference proceedings on the new website! There is an extended discussion function and possibilities to contact us.
Download Flyer as PDF
